quietrob
Extraordinary
What kind of Post work are we talking about? Is this indeed for an animation?Me too. I have to post work 300 renders...
What kind of Post work are we talking about? Is this indeed for an animation?Me too. I have to post work 300 renders...
What kind of Post work are we talking about? Is this indeed for an animation?
The "ambient boost nodes" only work in Superfly, so, yeah, in Firefly crank up the ambient itself. If the blue lights white out with ambient=30, then use an HSV node to increase the color saturation just enough to keep them blue, and plug that into the ambient socket.
I have it covered cousin. I need the practice in GIMP anyhow.Aagh, I hate having to do postwork; my drawing skills have a high degree of suckage. Trying to get the post work consistent throughout an animation will be tough. See if you can figure out what hair that is. I have SydneyG2. I probably have the original Sydney somewhere, but not on this machine (Urania).
What architectural model is she standing on?
Which render engine do you intend to use? Rendering 300 frames will take a while.
What other effects do you anticipate would need postwork?
I'm thinking if you get the motion sequence worked out, etc., and send me the PZ3, I can substitute a working lightsabre (no postwork needed) and render in either Firefly or Superfly at decent quality, then send you the PNG frames. You have a video/GIF/Flash editor?
The limitation is avoiding sending me someone else's geometries or texturing JPGs. So, we need to use items which we both have, or make substitute items ourselves.
P.S. lightsabre -both FF & Sfly capable- available at Renderosity or ShareCG
P.P.S. To check motion sequence smoothness and timing, you can quickly render Preview frames with hidden line display style.
I am adding in the background image that I made in GIMP, and using GIMP to give the light saber it's glow. I added the toon line in render. I like it.What kind of Post work are we talking about? Is this indeed for an animation?
I keep everything uniform by using a handful of presets in GIMP, and batch editing the whole thing 5 or so frames at a time. I keep at it until my eyes get tired or my butt gets sore from sitting too long! Then I rest and hit it again.I was wondering about that too. I mean how would you be able to keep the postwork uniform across all frames, unless it's something like lighting or colour correcting whole frames that could be batched?
I am fairly confident it will work. But I keep getting distracted (I am on here instead of doing the post work), so it's going slow. I only have the first 30 frames done. One second of film. 9 more to go...That looks like a major post job Rokket. I hope it works out for you.
I thought maybe it was that really big bird sitting on its feet.There is a story that the nose of the Sphinx was broken off by a cannonball fired by Napoleon's soldiers. Other variants indict British troops, the Mamluks, and others. Sketches of the Sphinx by the Dane Frederic Louis Norden, made in 1738 and published in 1757, show the Sphinx missing its nose.
But we know what really happened
a Carrara Render
Thanks Bro! While I like serene pix of innocence like the two kids on the FLCL Vespa above, Portraying action is just plain fun.That's a wicked cool render, Rob!
Sitting dog origami I made with printer paper.